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Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57b893c0c534a554d7acf23a/a692a855-4ecd-424a-ab4a-760426f44e05/Screenshot+2026-03-09+at+11.45.44%E2%80%AFAM.png ART (Copy) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/57b893c0c534a554d7acf23a/c9c76f5e-1f2c-4b90-98d7-a60f310e0c94/Screenshot+2026-03-09+at+11.45.53%E2%80%AFAM.png ART (Copy) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.ailujpearl.com/about-copy daily 0.75 2026-03-09 https://images.squarespace-cdn.com/content/v1/57b893c0c534a554d7acf23a/586fc95d-464f-4fab-8ebf-a281bbaa83e6/4629928A-5BF1-4301-BA02-5B4DD9ED2AC8+2.JPG About (Copy) - Bio AILUJ PEARL (named: Julia Pearl Robbins, b. 1987) is a ceremonialist and Artist creating theoretical works through non-linguistic mediums under five distinct and interrelated monikers. Born and raised in Tribeca New York, her perspective was shaped by the art movements prevalent during the 1960s and 70s. With a natural orientation inspired by the wisdoms carried within the Sacred and Healing Arts, the work is informed by both Mathematics and Physics and their established formations or choreographies. Eco-feminist in her approach, her most recent performance was shared at "Hot Bodies: Art, Science, and Sound in the Sauna" presented by Pioneer Works and Therme Group 2026. Artist statement Concerned with identity and the identified approach encouraged within the normalized ego of the dominant culture — its structures, and its articulations — I feel that this is not the cognitive channel that will support recognition but difference. I meet that current fabric, which we speak from and through, with caution and pause. Within my works (photography, dance, sculpture, sound, and ceremony) an appreciation of/for/towards the connective field, which, as the sciences support, is equally true as our separation. Through shares within the experiential arts, staged content spotlights a connection to heart and locations of resonance that have been systematically discouraged, neglected, and even pathologized. In my Sculpture Models, Choreographed Theoretics, Canvas based works, and Portraiture (honoring the photographic container itself as the work of Art), I relate through these mediums, or modes of expression, to speak to the limits of language, the encouraged landscape and their blindspots, and the structure of the cognitive capacities towards understanding (and innerstandings). About Based in Williamsburg Brooklyn New York and Topanga Canyon LA California, the artist is American in both breadth and perspective. She studied Cognitive Science at Columbia University and the Movement Arts at Martha Graham Contemporary Dance in New York. Multidisciplinary works are produced under five distinct monikers. The mediums themselves are a direct nod to their subject of inquiry. Installments have been featured in alternative spaces Berlin/New York as well as venues BAM Brooklyn Academy of Music, Brooklyn Museum, Cop27 Sharm El Sheikh, Columbia University, the Gene Frankel Theatre, Gibney Dance Center, House of Yes, Martha Graham Westbeth Studio, Miami Art Basel “Art and Activism,” the Museum of the Moving Image, Mykonos Biennale, and Pioneer Works presents. https://www.ailujpearlartworks.com/about-5 email: julia@ailujpearl.com ig: @artista.andtheoretics http://www.ailujpearl.com/about-0326 daily 0.75 2026-03-10 https://images.squarespace-cdn.com/content/v1/57b893c0c534a554d7acf23a/586fc95d-464f-4fab-8ebf-a281bbaa83e6/4629928A-5BF1-4301-BA02-5B4DD9ED2AC8+2.JPG About - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.ailujpearl.com/index daily 0.75 2026-03-11 https://images.squarespace-cdn.com/content/v1/57b893c0c534a554d7acf23a/1773147021904-5OAWHK2IORVMM2OF6MLJ/Screenshot+2026-03-10+at+1.35.16%E2%80%AFPM.png Art - 2026 “The Metamorphosis of” Film Project Cover https://images.squarespace-cdn.com/content/v1/57b893c0c534a554d7acf23a/1773145131636-V5W9D3UARPW2H07RA2BT/Screenshot+2026-03-10+at+1.03.13%E2%80%AFPM.png Art - 2015. Presenting: Ms Julery Pearl. a Berlin Series. Performance. curtain up, light the lights. an eco-femme in embodiment and voice, this staged series underscores the history of perception through a deconstructive show with all the belles and whistles of the normalized and naturalized modalities of participation and form. The isolation of visual signifiers and their association expose the power dynamics within production and reproduction - https://images.squarespace-cdn.com/content/v1/57b893c0c534a554d7acf23a/1773144744676-6P2NNIPYEAPQ2ISNI8NN/Screenshot+2026-03-10+at+1.04.40%E2%80%AFPM.png Art - 2022. The Projective Framework. Choreographed Theoretics, Staged. This sculpture series include staged choreography and 2d physics models. the work has not been shown to the public, but its workshopping wrapped in 2022. https://images.squarespace-cdn.com/content/v1/57b893c0c534a554d7acf23a/1773144683989-28CZDIARNJN5HTDTMFYN/Screenshot+2026-03-10+at+1.06.44%E2%80%AFPM.png Art - 2017. We Are Water. Photography/Video and Performance Installment. A visual koan, this series is inspired by the sacred recognition of mniwiconi water is life, yet relanguaged to meet the ego-orientation dominant and encouraged. Supported through STUDIO J/P ROBBINS: PROJECTS, this is not an initiative that one can be for or against, but instead highlights our inherent interconnectedness to all water bodies including our own. The work has been featured during Miami art Basel with later installments developed for social media platforms. https://images.squarespace-cdn.com/content/v1/57b893c0c534a554d7acf23a/1773144631145-2ANRE36NL4OTSYU8T6ER/Screenshot+2026-03-10+at+1.08.07%E2%80%AFPM.png Art - 2023-24. ONE. Soundscape Series. relating outside of polarities determined through the human cognitive field, this installment series supports the experience of one, its inherent beauty and teachings, and the transformational appreciation of what is in order to approach the poetries refracted through our limits. July 2023 .May 2024. North American East Coast - August https://images.squarespace-cdn.com/content/v1/57b893c0c534a554d7acf23a/1773144665558-59PYIS1E3WSODQIO0PI2/Screenshot+2026-03-10+at+1.07.12%E2%80%AFPM.png Art - 2014-16. AILUJ PEARL: Cave Paintings, an Affirmation of Self and her Constructions. Of filtering screens and projective screens, Mixed Media. This body of work cries to the experience and development of self informed and influenced through established and upcoming communication technologies and their terms of value-making. https://images.squarespace-cdn.com/content/v1/57b893c0c534a554d7acf23a/1773144609513-22EGCMW5LSOU2J9BWST1/Screenshot+2026-03-10+at+1.08.36%E2%80%AFPM.png Art - 2021. Ceremony Shares Ceremony: containers of transformation and process, informed by the primary arena of Time, recent themes within Aufgüsse include “On the connective Field” 20260122, “Of Rocks and Convection” 20260314, “Tending to the Release” 20260118, “Ceremony of Presence: Towards the Center of Gravity” 20260121, “Immersion and Emersion” 20260115 “Embodied Landscape” 20251118 https://images.squarespace-cdn.com/content/v1/57b893c0c534a554d7acf23a/1773144758173-OI8L0U89K2N7TP64ZNJL/Screenshot+2026-03-10+at+1.03.42%E2%80%AFPM.png Art - 2026. Of Representation, Video Still Series from her film The Metamorphosis. Concerned with the validity and recognition of What Is, especially within arenas that have been systematically undermined such as the sacred and their lineages, this series of moving-image and still frame allow a lens of representation for locations of identity distortion. developed during the recent years of New York City. https://images.squarespace-cdn.com/content/v1/57b893c0c534a554d7acf23a/1773147060289-RSWE2MTSUS6H3FXSEE1E/Screenshot+2026-03-10+at+1.36.08%E2%80%AFPM.png Art - 2023. “conciousness and Consciousness: On established orientations towards the subject of Consciousness” Essay Triptych: 1 (slice frame) of 3 “conciousness and Consciousness: On established orientations towards the subject of Consciousness” 2023 (essay, journal entry: cognitive science) “ONE, a single number on Flatland - approaching the world 2023” 2023 (essay journal entry: cognitive science) “From the Thought-Scape of my-Self: Cognitive Science as an Agent to Further Illuminate and Mitigate the Normalized and their Re-Frame” 2023 (essay journal entry: cognitive science) https://images.squarespace-cdn.com/content/v1/57b893c0c534a554d7acf23a/1773147068418-Z3M25GTBAW95DHPM4IFW/Screenshot+2026-03-10+at+1.38.25%E2%80%AFPM.png Art - 2019 Five Monikers Self Portrait for “Visionaries to Watch: Artists in their Studios” Vol 1 and 2: 2019 + Volume 3: 2020. Whitehot Magazine for Contemporary Art. featuring AILUJPEARL (x3), Sanford Biggers, Lekela Brown, Zoe Buckman, L'Enchanteur (Dynasty and Soull Ogun), Jeffery Gibson, Sam Jay, Tahir Carl Karmali, Arghavan Khosravi, Shantell Martin, Harry Nuriev, Mimi Ọnụọha, Howardena Pindell, Cheng Ran, Debra Rapoport, Julia Pearl Robbins, Jacolby Satterwhite, Hiba Schahbaz, Tariku Shiferaw, Malike Sidibe, Shahzia Sikander, Ian Swordy, Spencer Tunick, Saya Woolfalk https://images.squarespace-cdn.com/content/v1/57b893c0c534a554d7acf23a/1773147035120-2I15XFIAXO5CLY39V5KR/Screenshot+2026-03-10+at+1.35.43%E2%80%AFPM.png Art - 2025. Video Stills for “The Metamorphosis of” “The Metamorphosis of” Video Stills https://images.squarespace-cdn.com/content/v1/57b893c0c534a554d7acf23a/1773144649709-IGKMY4RN7426B4YBPOGT/Screenshot+2026-03-10+at+1.07.37%E2%80%AFPM.png Art - 2017. Commissioned Series, The Sacred Gender Project: FEMMINIELLI For her photography, STUDIO J/P ROBBINS credits the Container within which the portrait is produced, lending pause around the dynamics of the camera and subject. In describing how “all portraiture is made in collaboration,” the artist explores what she terms The Horizontal Perspective in her practice and approach. For the artist, the portrait session itself is the Art. Engaging with the process and practice of honoring what is, the photographer holds space for light and shadow. In this way, her humanity portraiture celebrates and explores the breadth of embodiment and expression. https://images.squarespace-cdn.com/content/v1/57b893c0c534a554d7acf23a/1773147116331-SKCXAFZUO4Z85V55C2CN/Screenshot+2026-03-10+at+1.43.17%E2%80%AFPM.png Art - 2024. The Projective Framework. Staged, still frame. CURTAIN UP. LIGHT THE LIGHTS. STAGED PERFORMANCE: CHOREOGRAPHED THEORETICS Much of the Artist’s theoretical work is presented through the choreographed context: that is, what it is to be consciousness bodied moving through time and space. Her extensive research practice culminated in a unique film piece, related as a moving-image compendium. All of the content explored in the film’s chapters is self-sourced original research. Special thanks to the Lee Strasberg Theatre and Film Institute for lending their theatre space for the film’s development. 2027. NAMED. moving-image compendium. filmed for 3d viewing, feature length. 2022. THE PROJECTIVE FRAMEWORK. choreographed theoretics, staged. https://images.squarespace-cdn.com/content/v1/57b893c0c534a554d7acf23a/1773147110602-N4SO5VQL5XY3PNQXX80L/Screenshot+2026-03-10+at+1.43.09%E2%80%AFPM.png Art - 2023-24. On Structures of Silencing. Mixed Media. Inspired through the beauty trends of American industry and European history’s gender constructions, this series indexes the data of biological and cognitive sciences to explore naturalized trended engagement. From a broader anthropological perspective of cognition and programing, the multi-displinary work explores the ways “constructed woman” self-silences, not just in articulation, but within the breadth of perception and legitimization at large. Staged work is presented through the artist’s f-to-f staged name “julery pearl,” photographic portraiture and moving-image through STUDIO J/P ROBBINS, and the supporting data content via Columbia university - https://images.squarespace-cdn.com/content/v1/57b893c0c534a554d7acf23a/1773144719419-NCHZZ8WHDG2NB4SL99E1/Screenshot+2026-03-10+at+1.05.16%E2%80%AFPM.png Art - 2016. The Pardes Portraits. Photography and Mixed Media. In examining of the human experience as subject, this body of work relates through the four their tradition of cognitive narrative formation and broader frameworked metaphor related to multi-dimensional scape which this human experience comes to approach. With the appreciation of the framing of our sensory field and their limits, this work relates through the droshing tradition to illuminate the variety of focal points which perspective(s) hold, and the acute nature of individual, the broader terrain of collective which embrace of the individual, as well as the limits and informing relation of identification and their identities. The series was first commissioned by phd Harvard scholar Joshua Krug and featured for a round table discussion at Repair the World, Brooklyn. https://images.squarespace-cdn.com/content/v1/57b893c0c534a554d7acf23a/1773145109393-7Y7VU7BMLD6P2CT4VP80/Screenshot+2026-03-10+at+1.17.13%E2%80%AFPM.png Art - 2014-2017. development of the moniker system THE ARTIST’S MEDIUMS, AND THEIR CONSTRUCTION OR PROCESS, DIRECTLY SIGNIFY THE SUBJECT MATTER OF INVESTIGATION. THE MONIKERS THEN FUNCTION BOTH IN CHOREOGRAPHED METAPHOR WITHIN ONE ANOTHER AS WELL AS FULLY INDEPENDENT ENTITIES. IN THIS WAY: CARTOGRAPHIES, REPRESENTATIVE OF WHAT THE ARTIST ATTEMPTS TO POINT TO THROUGH THE LIMITED FRAMING OF FORM WITHIN TIME’S TERMS - although here: in a linear presentation, the relationship is circular. the first and last are next to one another ~ https://images.squarespace-cdn.com/content/v1/57b893c0c534a554d7acf23a/1773147077657-4BJQ2FFACJAL5ZVOCWQA/Screenshot+2026-03-10+at+1.38.49%E2%80%AFPM.png Art - 2022. Fieldnotes The artists work is self-sourced and informed by intuitive Mathematics. Like the tradition of some, this comes out of the practice of ‘Externalizing the Internal’ (Bruce Robbins).