Contact the Studio to view archive works in-person or online, www.ailujpearlartworks.com
Featured installations and public works:
2026. Of Representation, Video Still Series from her film The Metamorphosis.
concerned with the validity and recognition of What Is, especially within arenas that have been systematically undermined such as the sacred and their lineages, this series of moving-image and still frame allow a lens of representation for locations of identity distortion. developed during the recent years of New York City.
2023-24. ONE. Soundscape Series.
relating outside of polarities determined through the human cognitive field, this installment series supports the experience of one, its inherent beauty and teachings, and the transformational appreciation of what is in order to approach the poetries refracted through our limits. July 2023 .May 2024. North American East Coast - August 2024 Cycladic Islands of Greece - Sept 2024 North American East Coast -November 2024 Paris France -
2023-24. On Structures of Silencing. Mixed Media.
inspired through the beauty trends of American industry and European history’s gender constructions, this series indexes the data of biological and cognitive sciences to explore naturalized trended engagement. From a broader anthropological perspective of cognition and programing, the multi-displinary work explores the ways “constructed woman” self-silences, not just in articulation, but within the breadth of perception and legitimization at large. Staged work is presented through the artist’s f-to-f staged name “julery pearl,” photographic portraiture and moving-image through STUDIO J/P ROBBINS, and the supporting data content via Columbia university -
2022. The Projective Framework. Choreographed Theoretics, Staged.
this sculpture series include staged choreography and 2d physics models. the work has not been shown to the public, but its workshopping wrapped in 2022.
2018. “On Societal Narcissism and Nature’s Sacred” an unpublished photo essay.
From 2013 to 2019, STUDIO J/P ROBBINS published a series of photo-essays that underscored the artist’s interest In representation and her excited concern on appreciation. In the exploration of what is from broader orientations of beauty, expression, and liberation outside of the normalized mediums and trends that industry occupy. With the overt objectification of subject, the artist’s commercial photography is published under the moniker STUDIO J/P ROBBINS crediting the container within which the portrait is produced.
2017. We Are Water. Photography/Video and Performance Installment.
A visual koan, this series is inspired by the sacred recognition of mniwiconi water is life, yet relanguaged to meet the ego-orientation dominant and encouraged. Supported through STUDIO J/P ROBBINS: PROJECTS, this is not an initiative that one can be for or against, but instead highlights our inherent interconnectedness to all water bodies including our own. The work has been featured during Miami Art Basel with later installments developed for social media platforms.
2016. The Pardes Portraits. Photography and Mixed Media.
In examining of the human experience as subject, this body of work relates through the four their tradition of cognitive narrative formation and broader frameworked metaphor related to multi-dimensional scape which this human experience comes to approach. With the appreciation of the framing of our sensory field and their limits, this work relates through the droshing tradition to illuminate the variety of focal points which perspective(s) hold, and the acute nature of individual, the broader terrain of collective which embrace of the individual, as well as the limits and informing relation of identification and their identities. The series was first commissioned by phd Harvard scholar Joshua Krug and featured for a round table discussion at Repair the World, Brooklyn.
2015. Presenting: Ms Julery Pearl. a Berlin Series. Performance.
curtain up, light the lights. an eco-femme in embodiment and voice, this staged series underscores the history of perception through a deconstructive show with all the belles and whistles of the normalized and naturalized modalities of participation and form. The isolation of visual signifiers and their association expose the power dynamics within production and reproduction -
2014-16. AILUJ PEARL: Cave Paintings, an Affirmation of Self and her Constructions. Of filtering screens and projective screens, Mixed Media.
this body of work cries to the experience and development of self informed and influenced through established and upcoming communication technologies and their terms of value-making.
Curriculum Vitae
2026: PIONEER WORKS AND THERME GROUP, “PERFORMANCE ON WATER.” ART SCIENCE AND SOUND IN THE SAUNA W/ The CULTURE OF BATHE-ING AT DOMINO PARK BROOKLYN NEW YORK
2025: ‘DEDICATED TO JAX’ AUFGÜSSE SERIES. MULTIPLE LOCATIONS U.S.A.
2024: ARTIST TALK COLUMBIA UNIVERSITY. NEW YORK CITY: AILUJ PEARL
2023-24: NORTH AMERICAN EAST COAST SOUNDSCAPE SERIES. FEAT. PARDES PORTRAITS AND ‘ONE’: ESTRUBAL
2022: COP27 SATELLITE VR EXHIBITION. SHARM EL SHEIKH, EGYPT: STUDIO J/P ROBBINS: PROJECTS + AILUJ PEARL
2022: SAS MIAMI BASEL SATELLITE FAIR: STUDIO J/P ROBBINS: PROJECTS
2019: TIMES SQUARE INSTALLMENT: STUDIO J/P ROBBINS: PROJECTS
2018: MIAMI ART BASEL’S ‘ART AND ACTIVISM’ SATELLITE EXHIBITION FEAT. “WE ARE WATER”: STUDIO J/P ROBBINS: PROJECTS + AILUJ PEARL
2018: HOUSE OF YES NEW YORK CITY - PERFORMANCE PORTRAITURE LOOP PROJECTION: STUDIO J/P ROBBINS + JULERY PEARL
2018: NTOZAKE SHANGE - ARTIST’S TRIBUTE HARLEM NEW YORK: STUDIO J/P ROBBINS
2018: GIBNEY THEATRE FOR CONTEMPORARY DANCE - STAGED CONTENT: JULERY PEARL
2018: THE BROOKLYN MUSEUM - FIRST SATURDAY’S PROGRAM: STUDIO J/P ROBBINS + AILUJ PEARL
2017: BAM: BROOKLYN ACADEMY OF MUSIC: STUDIO J/P ROBBINS + AILUJ PEARL
2017: MUSEUM OF THE MOVING IMAGE - RESPONSIVE CONFERENCE - "I-LOVE-YOU" OF A STRUCTURAL LINGUISTIC APPROACH - STUDIO J/P ROBBINS + AILUJ PEARL
2017: MYKONOS BIENALLE “ANTIDOTE” MYKONOS, GREECE: AILUJ PEARL
2017: THE BROOKLYN MUSEUM - FIRST SATURDAY’S PROGRAM: STUDIO J/P ROBBINS + AILUJ PEARL
2017: ART HELIX 'BOOTSTRAPS' COMMISSIONED INSTALLATION. BROOKLYN - WE ARE WATER - INSTALLMENT II: ESTRUBAL + AILUJ PEARL
2017: 'IN ALL WAYS A WOMAN' THE BREAK BROOKLYN, NEW YORK: STUDIO J/P ROBBINS
2012: PETER BEARD’S “LIVING SCULPTURE” COMMISSIONED. PETER BEARD’S STUDIO NEW YORK: STUDIO J/P ROBBINS + AILUJ PEARL
index: written works and visual essays
“Moving-Image Compendium” 2008-2027 choreographed-theoretics, feature-length (subscribe)
“In Ceremony: a Portrait of Process” working title, 2026 (a short film, in development)
“On the Construction of Woman” 2025 - Theatre Aufguss - 2026 World Masters (script): New York performance 2026 May (subscribe)
“The Metamorphosis…” 2025/26 (a filmed project, coming soon)
“When speaking to Sontag” 2025 (Q&A)
“The Hyper-Identified Ego of Columbia University’s Articulations: On Othering and the Formations of Discourse - the Weaponized Violence within this Channel of Relating” 2024 (autobiographical article)
“To Be & Not To Be: Articulations on POV for ‘What is Art/ist?’” 2024 (Artist Statement /Mission Statement)
“conciousness and Consciousness: On established orientations towards the subject of Consciousness” 2023 (essay, journal entry: cognitive science)
“ONE, a single number on Flatland - approaching the world 2023” 2023 (essay journal entry: cognitive science)
“Adjust for your Timezone: some Terms of what’s Counted” 2023 (autobiographical script, choreographed theoretics - designed for ai /puppet)
“From the Thought-Scape of my-Self: Cognitive Science as an Agent to Further Illuminate and Mitigate the Normalized and their Re-Frame” 2023 (essay journal entry: cognitive science)
“ABOUT” an Artist’s Statement: M.O. (blurb)
“Animus: a love story” 2021 (fairy-tale)
“Visionaries to Watch: Artists in their Studios” including self-portrait with 5 monikers in-frame. Vol 1 and 2: 2019 + Volume 3: 2020. Whitehot Magazine for Contemporary Art. featuring AILUJPEARL (x3), Sanford Biggers, Lekela Brown, Zoe Buckman, L'Enchanteur (Dynasty and Soull Ogun), Jeffery Gibson, Sam Jay, Tahir Carl Karmali, Arghavan Khosravi, Shantell Martin, Harry Nuriev, Mimi Ọnụọha, Howardena Pindell, Cheng Ran, Debra Rapoport, Julia Pearl Robbins, Jacolby Satterwhite, Hiba Schahbaz, Tariku Shiferaw, Malike Sidibe, Shahzia Sikander, Ian Swordy, Spencer Tunick, Saya Woolfalk
Vision and Voice Podcast: #WORDSTUDIOJPROBBINS - On approaching Representation and their Whys, for Studio J/P Robbins 2020 (lockdown contemplations, virtual community)
“On Kinship: Systems of Engagement” with Artist in Frame, Photography Editorial 2019 (photo-essay) featuring Martha Graham School dancers, choreographed Stills by Artist.
“On ‘Dress-Up’ feat. Avavav Firenze” with Artist in-frame, Photography Editorial 2019 (photo-essay)
“On Societal Narcissism and Nature’s Sacred” 2017 (photo-essay) photo-essay and theoretics by Julia Pearl Robbins, model/subject in Woodstock NY.
“On Performativity” 2018 (photo-essay)
“In approach of an Other: ALYOSHA AND AILUJ” 2017 projection and filtering screen on Canvas (canvas theoretics)
“On Halloween - Constructions of Women and Villains” with artist in-frame 2017 (photo-essay). 2025 (Aufguss Ceremony, performance Bathhouse New York).
Pardes Portraits - an approach to What Is through this Self - on identification, identity, and this human experience 2016 (theoretics: roundtable discussion/drash, Repair the World)
“On ‘Hair and Make-Up’” 2016 (nyfw, photo-essay)
We Are Water, first installment 2016: a structural linguistic appreciation of MníWičhóni (multi-media theoretics)
“On Adornment - a cross cultural isolation of gendered signifiers” 2011 (photo-essay)
