The Artist's work functions in two categories: Choreographed Theoretics and that of the Experiential Arts.

Within Choreographed Theoretics, she classifies her Staged and Moving-Image works, Installation, and Canvas (i.e. Ailuj Pearl). For the Experiential Arts, Photographic Portraiture, Sculpture, and Ceremony.

Staged and Moving-Image Works: Julia PearL Robbins’ Moving-image compendium is comprised as a Feature of feildnotes, original findings, their metaphors, and this human framework. Her staged work spotlights content from a eco-femme perspective and comedic/revolutionary rythm: Curtain up Light the Lights

Installation: i.E. we are water is an ongoing multidisciplinary installation series dedicated to the recognition of our interconnectedness to one another and the planet. Installation and public works are shared in both traditional as well as alternate venue spaces.

Canvassed based works: The works on Canvas function as cave paintings in their signposts or markings. Related from locations of call-out, emotive in their orientation and process. similarly, the artist’s work produced by hand deals with Self/other, What it is to be consciousness bodied in approach, and it is developed based on what is felt or perceived through the intuitive landscape, rather than the diction of the senses (i.E. the material feild)

POrtrait: The Artist credits the container within which the photographic portrait is produced. In holding space for light and shadow, an exploration of what is - how we present to how we self police - honoring and discovering what resonates, what liberates. She is best known for her VR eye-gazing series, presented as both still and moving-image formats.

SCULPTURE: i.E. One is an ongoing sound-based installation series dedicated to the exploration of ‘one’ as it exists within it’s congitive singular and fact-based multitude. it is facilated through sculpture highlighting the dimensional landscape that humans perceive and relate from/through.

Ceremony: containers of transformation and process, informed by the primary arena of Time, themes include “On the connective Field” 20260122, “Of Rocks and Convection” 20260314, “Tending to the Release” 20260118, “Ceremony of Presence: Towards the Center of Gravity” 20260121, “Immersion and Emersion” 20260115 “Embodied Landscape” 20251118