2014-2026 STUDIO J/P ROBBINS’ specializes in portraiture. In holding space for light and shadow, the Artist credits the container within which the portrait is produced. Much of her commercial and commissioned work gained more traction in fine art venues and public forums. She relates to the process as the art-form itself, rather than the resulting Photograph.

2018: MIAMI ART BASEL’S ‘ART AND ACTIVISM’ SATELLITE EXHIBITION FEAT. “WE ARE WATER”: STUDIO J/P ROBBINS: PROJECTS

2018: NTOZAKE SHANGE - ARTIST’S TRIBUTE HARLEM NEW YORK

2017: MUSEUM OF THE MOVING IMAGE - RESPONSIVE CONFERENCE - "I-LOVE-YOU" OF A STRUCTURAL LINGUISTIC APPROACH - STUDIO J/P ROBBINS

2017: ART HELIX 'BOOTSTRAPS' COMMISSIONED INSTALLATION. BROOKLYN - WE ARE WATER

2017: 'IN ALL WAYS A WOMAN' THE BREAK BROOKLYN, NEW YORK

2012: PETER BEARD’S “LIVING SCULPTURE” COMMISSIONED. PETER BEARD’S STUDIO NEW YORK

Photo Essays:

“On Kinship: Systems of Engagement” with Artist in Frame, Photography Editorial 2019 featuring Martha Graham School dancers, choreographed Stills by Artist.

“On ‘Dress-Up’ feat. Avavav Firenze” with Artist in-frame, Photography Editorial 2019

“On Societal Narcissism and Nature’s Sacred” 2017 photo-essay and theoretics, Juliet Rania as Muse, Woodstock NY.

“On Performativity” 2018

“In approach of an Other: ALYOSHA AND AILUJ” 2017 projection and filtering screen on Canvas

“On Halloween - Constructions of Women and Villains” with artist in-frame 2017

Pardes Portraits - an approach to What Is through this Self - on identification, identity, and this human experience 2016

“On ‘Hair and Make-Up’” 2016

We Are Water, first installment 2016: a structural linguistic appreciation of MníWičhóni (multi-media theoretics)

“On Adornment - a cross cultural isolation of gendered signifiers” 2011