These sound informed sculptures consider sonic architectures and their vibration as both material and spatial condition. The work situates sound impressions within a sculptural field, extending their presence beyond the audible into the physical and perceptual dimensions on the terms of the body’s location. Constructed through the relationship between sound, form, space, and duration, the sculpture creates an environment in which sound is encountered rather than simply heard. Frequencies, resonance, and vibration become active components of the work, shaping the viewer’s experience of proximity, orientation, and spatial awareness.
2023-24. ONE. SOUNDSCAPE SERIES.
Rather than functioning as a representation of sound, ONE treats sound as a material in itself—capable of occupying space, producing physical sensation, and altering the conditions through which a space is perceived.
ONE, relating from orientations of the connective field, like sat nam rasayan, that zero-point in which the merge takes place/through, this body of work is so exquisite in design. Of the singular and the multitude, we lift in approach. Within the practice of the pardes methodology, the limits of a four tier location of meaning-making presents their limits, their poetries of perception and fact, their teachings, and these fundamental locations of relaxation that commune with the multiplicities outside of this concretized world bound by dimension and frame.
Not performative but experiential. The work and series is shared and continue to be shared.